Support for most file formats, including 32-bit 'floating point' files.ASIO and VST support (effects and Instruments).MIDI and SCSI support for many hardware samplers.Powerful sound-processing functions and excellent loop-editing tools.Each open audio file appears in its own 'document' window, which features a zoomable waveform display (with overview), a pair of level faders (the left and right channels of stereo files can be tweaked independently), level meters with clipping indicators, and an LCD-style Marker display showing the current playback position and/or the positions of selected markers. The Master window contains a stereo pair of faders to control the main output level, and buttons to access a few more commonly used features.
DSP QUATTRO MAC OS
DSP QUATTRO DRIVER
Standard VST effect and Instrument plug-ins are also supported, as well as Steinberg's ubiquitous ASIO driver system for low-latency audio cards.
DSP QUATTRO PRO
D‑Sound Pro offered a handful of built-in off-line effects, but DSP Quattro's effects are all implemented in real time. This means not only that files of practically unlimited size can be recorded and edited, but also that multiple files can be played back simultaneously, even while another is being recorded. While its shareware forbear was a purely RAM-based sample editor, DSP Quattro features a powerful new 'polyphonic' hard disk-based audio engine. The reason I mention this is that DSP Quattro, from Italian newcomers i3, turns out to be a direct descendant of D‑Sound Pro, and is developed by a team of programmers led by original D‑Sound Pro author Stefano Daino.Īlthough DSP Quattro has inherited a number of features from D‑Sound Pro (including the same comprehensive MIDI and SCSI support for external samplers), so much else has changed that it really deserves to be considered a new program in its own right. It ran without a glitch on my old Powerbook 5300, and up until a few days ago was still installed on my current Mac, and still getting regular use. So it was that I discovered D‑Sound Pro a fast, reliable and very functional sample editor which could talk to my Akai S2000, chop and change samples in dozens of useful ways, and which seemingly never crashed. All this, as Martin observed, for "a mere 30 US dollars - less than 20 quid!" D‑Sound Pro offered comprehensive sample editing functions, a variety of built-in effects, SCSI and MIDI dump support for numerous external samplers - and even a synth oscillator for generating new sounds. This popular shareware sample editor has grown into a serious audio manipulation tool.īack in 1997, while idly flicking through the June issue of SOS, I came across a brief but very favourable review of a shareware audio editor called D‑Sound Pro in what was then Martin Russ's Apple Notes column.
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